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mercredi 10 décembre 2014


Ideas and Enlightenment : The Long Eighteenth Century (Down Under)

David Nichol Smith Seminar in Eighteenth-Century Studies XV

10-13 December 2014, The University of Sydney, Sydney, Australia

Call for Papers

The Sydney Intellectual History Network and ‘Putting Periodisation to Use' Research Group at the University of Sydney invite you to the Fifteenth David Nichol Smith Seminar (DNS), with the theme ‘Ideas and Enlightenment'. Inaugurated and supported by the National Library of Australia, the DNS conference is the leading forum for eighteenth-century studies in Australasia. It brings together scholars from across the region and internationally who work on the long eighteenth century (1688-1815) in a range of disciplines, including history, literature, art and architectural history, philosophy, the history of science, musicology, anthropology, archaeology and studies of material culture.

We welcome proposals for papers or panels on the following topics, although please note that the conference organisers are open to proposals for subjects that fall outside of these broad themes:

  • Making Ideas Visible
  • Biography and the History of Individual Life
  • Economic Ideas in Social and Political Contexts
  • Global Sensibilities
  • National Identity and Cosmopolitanism
  • Antiquaries and Alternative Versions of the Classical Tradition
  • Periodisation and the question of Period Styles
  • Enlightenment' and the Pacific
  • Spectacle, Sociability and Pleasure
  • Genres of Enlightenment
  • Science, Technology and Medicine
  • Borders and Empire
  • Historiography of the Enlightenment
  • Post-Enlightenment trajectories in literature and art

We welcome proposals for 20-minute papers. Proposals consist of a 250-word abstract and 2-page cv, sent via email as a pdf attachment to Deadline for submissions: 15 June 2014

Further details, where accommodation and keynotes will be posted soon. If you have questions about the conference, please contact the organizing committee at

DNS XV Organizing Committee: Dr Jennifer Ferng, Prof Mark Ledbury, Prof Jennifer Milam and Dr Nicola Parsons

First International Conference of the ACADPROG Network dedicated to progressive rock

Call for Papers

10-12 décembre 2014, Dijon

Hosted and organized by the University of Burgundy (Dijon) and Georges Chevrier and Cimeos Labs.

Keynote speakers

Franco Fabbri (University of Turin, ex Stormy Six. Italie), Simon Frith (University of Edinburgh, by visioconference), Bernard Gueffier (Manager of label Muséa, France) and Bill Bruford (Yes, King Crimson, Genesis, UK, Earthworks).

The paper or workshop suggestions, in English or in French, must be sent to philippe.gonin at and francois.ribac at for July 30th, 2014 at the latest.

The organising committee will transmit its answer via email on september 15, 2014. The conference will take place in English and French.

Nineteenth-Century Grand Opera Outside Paris

10-12 December 2014, Copenhague

Organizers: Opera on the Move: Transnational Practises and Touring Artists in the Long 19th Century Norden NOS-HS NordCorp) & University of Copenhagen

The aim of this conference is to explore the effects of French grand opéras on opera culture outside Paris, indeed worldwide in the 19th century. The conference addresses aspect of grand opéra to do with the adaptation of French grand opéras for smaller theatres, processes of cultural transfer etc.

Conference Programme

Wednesday, 10 Dec

Room 22.0.11

  • 10:00-10:30 – Welcome
  • 10:30-11:30 – Gabriela Cruz: On the Roving Spirit of Grand Opera
  • 11:30-13:00 – Lunch

Room 27.0.17

13:00-14:00 – Session #1 – Grand opera and visual spectacle outside Paris – Chair: Sarah Hibberd

  • Giuseppe Montemagno: Il quadro della desolazione. Mount Vesuvius' eruptions and cataclysms in Italian Grand opera (1825-1858)
  • Laura Protano-Biggs: Acting Naturally: the Visual Reception of Meyerbeer's Grand Opéras at the London Theaters in the 1840s and '50s

14:00-14:30 – Coffee

14:30-15:30 – Session #2 – La juive goes north – Chair: Ulla-Britta Bromann-Kananen

  • • Owe Ander: La juive in Stockholm – traces of performances
  • • Anne Sivuoja-Kauppala: Negotiating Anti-Semitism on Opera Stage: Wäinö Sola's adaptation of La Juive in the Finish National Opera (1925)

15:30-17:00 – Reception

18:00-20:30 – Dinner at Scarpetta, Islands Brygge 81F

Thursday, 11 Dec

Room 22.0.11

  • 9:00-10:00 – Sarah Hibberd: 'Cockneys in a fever' : Gustave in London
  • 10:00-10:30 – Coffee

Room 27.0.17

10:30-11:30 – Session #3 – L'Africaine and the world – Chair: Gabriela Cruz

  • Tommaso Sabbatini: L'Africaine: a world-minded Parisian opera
  • Carlos Maria Solare: Meyerbeer on the zarzuela stage. El dúo de ”La Africana” by Manuel Fernandez Caballero

11:30-13:00 – Lunch

13:00-14:30 – Session #4 – Grand opera and non-French opera traditions (continued) – Chair: Anne Sivuoja-Kauppala

  • Martin Knust: ”Turning the Mob into the People: About the Choir in Wagner's Rienzi”
  • Viktoriya Sukovata: ”The Oriental motives in the Russian opera of the 19th century”
  • Sofia Mazar: ”The people and the State: Features of ideological and imaginative drama and composition in Modest Mussorgsky's Boris Godunov”

14:30-15:00 – Coffee

15:00-16:00 – Session #5 – Grand opera and the diva – Chair: Anno Mungen

  • Ingela Tägil: ”Jenny Lind as Alice in Meyerbeer's Robert le Diable”
  • Svetlana Toivakka: “Grand Opera in the repertoire of the Finnish coloratura soprano Alma Fohström”

Evening, OPERAEN: A.Berg: Lulu

Friday, 12 Dec

Room 22.0.11

  • 9:00-10:00 – Anno Mungen: Grand Opéra in 19th Century Germany: Topography, Genre, and Performance

10:00-10:30 – Coffee

Room 27.0.17

10:30-11:30 – Session #6 – Changing roles – Chair: Owe Ander

  • Ulla-Britta Broman-Kananen: Fenella (La Muette de Portici) and Valentine (Les Huguenots) as patriotic symbols in Helsinki 1877
  • Jens Hesselager: Bertram (Robert le diable) in Copenhagen, or: Antipathy for the Devil

11:30-12:00 – Session #7a – Grand opera and the city – Chair: Owe Ander

  • Howard Bould: An enchanted Eden 12:00-13:30 – Lunch

13:30-15:30 – Session #7b – Grand opera and the city (continued) – Chair: Jens Hesselager

  • Laura Moeckli: Grand Opéra at the Basler ”Theater auf dem Blömlein” 1834-1850: Transfer – Translation -Reception
  • Cesar Octavio Moreno Zayas: Grand Opéra for a grand, or even petite, city
  • Karin Hallgren: The grand opera tradition at the Opera in Stockholm
  • Anne Reese Willén: Grand opera as opera and concert repertoire in Stockholm during the second half of the

19th century

15:30-16:00 – Coffee

16:00-16:45 – Discussion and end of discussion



Électro flash au National de Lille avec Yann Robin


electro flash

Trois compositeurs de la jeune généraiton se jouent des frontières du son.

Franck Bedrossian (né en 1971)

Raphaël Cendo (né en 1975)
Scratch Data

Yann Robin (né en 1974)

Carte blanche à Yann Robin, compositeur en résidence o.n.l. Robin Meier (Informaticien), Lionel Bord (basson), Tom De Cock (percussions), Nicolas Crosse (contrebasse).

Avec Transmission pour basson et électronique, Franck Bedrossian déploie énergie et sons saturés sur fond de bruits de disques vinyle.

Scratch Data de Raphaël Cendo est une sorte de jeu de miroir entre percussionniste et électronique qui semble démultiplier la présence de l'instrumentiste.

Yann Robin, lui, repousse les limites du son avec une contrebasse et un dispositif informatique dans ses Symétriades dont le titre fait écho au roman de science-fiction, Solaris, signé par Stanislas Lem.

Mercredi 10 décembre à 12h30, auditorium du nouveau siècle, Lille. Tarifs 8 / 5 €. Durée 45 minutes environ.

Orchestre national de Lille, 30 place Mendès France / CS 70119, 59027 Lille cédex. 03 20 12 82 40. Association subventionnée par le Conseil régional Nord-Pas de Calais, le Ministère de la Culture et de la Communication, Lille Métropole et la Ville de Lille.
56 rue de la Fédération
F - 93100 Montreuil
06 06 61 73 41

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