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The Expansive Canvas: Large-Scale Form in the Music of 19th-Century Women Composers

26–28 August 2025, Dublin
Website

Large-scale form (LSF) refers to the structure of an extended musical composition found in numerous genres such as sonatas, symphonies, overtures (some with literary adjuncts), operas, concertos, chamber music and extended choral works. It stands in contrast to the domestic genres historically associated with women composers such as song and piano miniatures. For the purposes of this event, the long nineteenth century extends from 1789–1922. This international conference and collaborative symposium aims to reinvigorate our conception of music history, and to challenge entrenched patterns of representation within the classical music establishment by opening up a forum for the discussion, performance, and analysis of LSFs by women composers. With four central pillars in performance, music analysis, musicology, and music education, the event will provide a platform for a discourse on gender diversification in music education, and concert programming as it pertains to the music of the long nineteenth century.

Submissions are welcome in three areas: Performance ; Scholarly Papers ; Presentations from Industry Leaders

Deadline for Submissions : 5pm Irish time on 31 January 2025

Creative and Organizing Team : Nicole Grimes (Trinity College Dublin, Co-Chair) ; Denise Neary (Royal Irish Academy of Music, Co-Chair), Ciarán Crilly (University College Dublin), Joe Davies, Women in Global Music Network (Sinéad Hayes, Royal Irish Academy of Music), Róisín Maher, MTU Cork School of Music/Finding a Voice (Susan McCormick, Trinity College Dublin), Hannah Millington, TU Dublin Conservatoire (Orla Shannon, University of Oregon), Aidan Thomson, University of Galway.

Dr Nicole Grimes, Associate Professor, Department of Music, School of Creative Arts (She/her/hers), Trinity College Dublin, the University of Dublin, Dublin 2, Ireland,Email


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Mercredi 27 Novembre, 2024