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Shakespeare and Music: Between Time and Timelessness

9-12 July 2025, Porto.

RMA Shakespeare and Music Study Group) at the next European Shakespeare ; Research Association (ESRA)

The deadline for submissions is 2 December. Please submit an abstract of 200-300 words and a short biography of 100-150 words to all three convenors (listed below). For more information please see Website.

Convenors: Michelle Assay, University of Toronto, Canada, Alina Bottez, University of Bucharest, Romania ; David Fanning, University of Manchester, UK.

In this seminar, we invite proposals that explore, probe, and reflect on
the multifaceted relationalities between music, time, and Shakespeare. Weshall address the research directions tackled by the Shakespeare and Music Study Group – music in Shakespeare and Shakespeare in music – encouraging contributions from a variety of perspectives, including literary, musical, philosophical, and psychological.

Paper themes include, but are not limited to:

he history of Shakespearean music and history in Shakespeare-inspired musical works

Shakespeare-inspired musical adaptations across the ages: incidental music, film music, opera, operetta, musical theatre, ballet, etc.

Canon-formation and Shakespearean music

The reception of Shakespeare-inspired music in different times and
historical contexts

Shakespeare and music and non-linear time

Fashions in the music of Shakespeare stagings

Tempo, rhythm, metre, and agogics as means of building character and atmosphere in Shakespeare-inspired music

The ephemerality of performance in Shakespeare-inspired music

Nostalgia, retrospection, and future projections expressed by music in Shakespeare-inspired works


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Mercredi 27 Novembre, 2024