May 27th - May 30th 2021, New York
Online Conference at New York University
Deadline: December 18, 2020
The annual Music and the Moving Image Conference encourages submissions from scholars and practitioners that explore the relationship between the universe of moving images (film, television, streaming, video games, and live performances) and that of music and sound through paper presentations. We encourage submissions from multidisciplinary teams that have been pooling their knowledge to solve problems or discover new perspectives regarding music and moving images.
The Keynote Address: Studio Legends NY — will feature a panel of venerable New York studio musicians who recorded some of the most iconic film scores. Film/TV composer and NYU professor Mark Suozzo will lead the discussion.
Abstracts/synopses of papers (250 words or fewer) should be submitted by December 18, 2020 via Jotform here
The program committee: Ann-Kristin Wallengren — Lund University (co-editor of “Today's Sounds for Yesterday's Films: Making Music for Silent Cinema”, Palgrave Macmillan); Jonny Best — University of Huddersfield (BFI Southbank house pianist and director of Yorkshire Silent Film Festival); Brian Mann — Vassar College ("The Madrigals of Michelangelo Rossi”, Monuments of Renaissance Music, vol. 10 (Chicago: University of Chicago Press, 2002)); Rebecca Fülöp — University of British Columbia ("Music, Whiteness, and Masculinity in Michael Mann's The Last of the Mohicans" in Routledge Companion to Screen Music and Sound); Gillian B. Anderson — Orchestral Conductor (Rosita at the Venice Film Festival, Composing for the Cinema, Music for Silent Film 1892-1929: A Guide), MUSA volume on Way Down East (Griffith, 1920); Director Ron Sadoff — New York University (The Moon and the Son / co-editor of The Routledge Companion to Screen Music and Sound).
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Mercredi 9 Décembre, 2020