Actualités musicalessamedi 11 janvier 2014
Venice and Ritual, Interdisciplinary ConferenceCall for Papers 11-12 janvier 2014, Princeton Venice's unique situation both in physical space and historical imagination has allowed it to engage every strata of society in a kaleidoscopic range of sensory experiences framed, cultivated, and intensified through ritual. Venice offers the ideal venue for ritual behaviors--ingrained sequential activities performed in response to specific events: liturgical and paraliturgical ceremonies both at San Marco as well as the city's many confraternities, churches, and convents; Carnival and the associated theatrical activities, including public opera; or civic rituals, such as the "Marriage to the Sea," a ceremony that publicly links civic power to its environment. Private, public, religious, civic, affirmative, and subversive rituals all contribute to Venice's identity. Far from being insular, Venetian rituals reach far beyond the lagoon--to the extensive empire upon which fortunes were built, to the terraferma, to the Eastern and Northern seas, and, finally, to the global community t In conjunction with the Princeton University Opera's 2014 production of Claudio Monteverdi's L'incoronazione di Poppea, a multi-sensory event serving as exemplar, microcosm, and reflection of a uniquely Venetian ritual, Princeton's Program in Italian Studies invites scholars in all stages of their careers to present papers that examine ritual as manifest in the artistic, socio-political, and religious milieu of Venice both historically and chronologically. To participate, please send a brief bio and abstract of no more than 250 words to venice.princeton.2014 at gmail.com by Friday, December 13, 2013. Ritual response to Venice's environmental and/or geographical circumstances Function of ritual in the creation of Venice's urban topography How ritual activates or hinges upon sensory engagement Ritual as reflected in music, art, literature, architecture Means of Marking Time/Space Gestures and Tactile Rituals Liturgical Drama and Public Processions Food (Preparation/Consumption) Theater and Theatricality Holidays/Commemoration of the Past Historical Re-Enactment / Myth-Making Political Processes Rites of Passage Papers should be 20 minutes in length. Please specify any audio-visual requirements that might be needed for your presentation. For further questions, please contact Wendy Heller wbheller at princeton.edu and see
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À nos agendasInterpretar la música ibérica del siglo XVIII, 14-16 juillet 2014, Barcelone Soul Serenade avec Émilie Hédou au River Café, hommage à Aretha Franklin, le 7 février 2014 /b
Revue de presse musicale(Paris Normandie) Opéra de Rouen : le quatuor Ysaÿe joue l'intégrale Beethoven (Radio Actu) Le CSA propose de "moderniser" les quotas d'exposition des chansons francophones en radio (Le Monde) Quand Paris s'appelait « Pianopolis » (La voix du Nord) Nicolas Bacri et Sébastien van Kuijk présentent une nouvelle œuvre dimanche à l'auditorium (Les Échos) Ballet de l'Opéra : le tempo Millepied (Le Figaro) Filine : «Comme l'amour, la rivalité est sans fin» (Culturebox) La cession du Printemps de Bourges ne changera rien pour le public (Culturebox) La chorale des démunis du Secours Catholique de Châlons-en-Champagne (Culturebox) Interview : Jean-Frédéric Neuburger consacré sous la pyramide du Louvre S'abonner au bulletin. Collaborations ©musicologie.org 2014 Samedi 9 Juillet, 2016 18:17
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