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23
octobre 2008, Amiens
Les interactions
entre musique et théâtre
Journées
d’études Amiens-Reims
Appel à contribution
Date
limite : 31 juin 2008
CRAIF, Centre de Recherches en
Arts, Images et Formes, Université de Picardie-Jules
Verne ; CERHIC, Centre d’études et de recherches
en histoire culturelle, Université de Reims
Champagne-Ardenne
Ces journées ont pour
objectif de cerner les relations entre pratiques
théâtrales et musicales aux XXe et
XXIe siècles, en lien avec leurs filiations
historiques ou leurs aspects théoriques.
Elles proposent des thèmes
de réflexion non exhaustifs mais qui auront
pour objet de se centrer sur les rapprochements
entre les deux domaines artistiques. Elles concernent
autant une réflexion chronologique diachronique
qu’une réflexion autour des pratiques du
théâtre et de ses liens avec la musique
: inclusion, exclusion, illustration, restitution,
rencontres, etc.
Les thèmes proposés,
qui ne sont aucunement exclusifs, se centreront
sur
- La musique dans le théâtre
: intermède illustratif ou matriciel ?
- L’inclusion ou l’utilisation
de chansons dans un texte théâtral
: démarches dramaturgiques et interprétatives
- Le rôle de la bande son
- La référence
de la notion de « partition » dans la
mise en scène
- Interactions entre acteurs
et chanteurs dans les processus de création
et de représentation
- Quels gestes pour le théâtre
et la musique ?
- La théâtralité
des installations sonores et / ou musicales
- Musique et art vidéographique
: un théâtre ?
Jours prévus : Jeudi 23
octobre 2008 à Amiens (UPJV) 9h30 – 18h ;
Mercredi 13 mai 2009 à Reims (URCA) 9h30
– 18h
Comité scientifique :
Guy Freixe (UPJV), Jean-François Dusigne
(UPJV), Jean-Marc Chouvel (URCA), Bertrand Porot
(URCA).
Les projets de communication
devront parvenir avant le 31 juin 2008 à
: guy.freixe@dbmail.com ; bertrand.porot@univ-reims.fr
29 octobre 2008, Heidelberg
Ritual
Dynamics
and the Science of Ritual
The Collaborative Research Centre
"Ritual Dynamics" (SFB 619 "Ritualdynamik")
was set up in 2002 as an interdisciplinary centre
to research the dynamics of ritual. It is the world's
largest research centre dedicated solely to investigating
these issues, with over 90 scientists and researchers
working in nineteen sub-projects. Our focus is on
the (re)invention of rituals, transfer and change
- which we see as the rule not the exception.
Through questions such as: "Who invents rituals
and why?" "When and why do rituals die?"
"How variable are rituals and how do new media
affect old rituals?" new avenues have been
opened up, such as research into inter-cultural
ritual transfer, ritual agency, and the connections
between rituals and new media.
To give focus to the enormous
potential of this field, the conference will be
structured around themed panels. At present eleven
panels are planned, but we are very open to proposals
for additional panels.
For more information : htp://www.rituals-2008.com
Submission Guidelines: Call for
papers
If you wish to propose a paper
please send an abstract of no more than 300 words
(the talk itself should last no longer than 20-25
minutes) together with a one-page curriculum vitae
(rtf or Word format) to the chair of the relevant
panel (see webpage). Submissions must be sent by
15 June 2007 latest.
Proposals for Panels : If you
wish to propose an additional panel please send
an outline of no more than 500 words together with
a one-page curriculum vitae (rtf or Word format)
to Dr. Brigitte Merz (contact@rituals-2008.com).
Proposals must be submitted by 15 June 2007 latest.
Deadlines : Submissions and proposals
must be sent by 15 June 2007 latest. The decision
about which papers and panels will be included will
be made by the executive committee of the SFB 619.
Applicants will be informed about the decision by
31 July 2007.
30 octobre - 1er novembre 2008,
Harvard (MA) & Munich
Crosscurrents :
American and European Music
in Interaction,
1900-2000
An international conference
CALL FOR PAPERS
Crosscurrents : American and
European Music in Interaction, 1900-2000. An international
conference in two parts : Harvard University,
Cambridge, MA, Oct. 30-Nov. 1, 2008; Ludwig-Maximilians-Universität
Munich, May 7-9, 2009.
We invite papers exploring this
cultural exchange and its historiographical implications.
These issues can be discussed in relation to a broad
range of musical idioms as well as to musical
scholarship and criticism. The conference will
be organized jointly by the Harvard University Department
of Music, Ludwig-Maximilians-Universität
Munich, and the Paul Sacher Foundation, Basel. Please
send an abstract of not more than 250 words as well
as a short (maximum 50-word) biography to currents@fas.harvard.edu
or to the postal address "Crosscurrents"
c/o Department of Music, Harvard University, Cambridge,
MA 02138 USA. Deadline: June 1, 2007
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