Music Criticism 1950-2000

9-11 octobre 2017, Barcelone

All proposals should be submitted by email no later than Sunday 23 April 2017 to conferences -at- luigiboccherini.org
https://www.luigiboccherini.org/criticism2017.html
Barcelona, Institut d'Estudis Catalans

organized by Centro Studi Opera Omnia Luigi Boccherini (Lucca), Societat Catalana de Musicologia, Barcelona

The programme committee encourages submissions within the following areas, although other topics are also welcome: 

• Music Criticism Theories / Theoretical Approaches

• Musicology and Music Criticism

• Musical Aesthetics and Criticism

• Writings on Music

• Composers as Critics

• Music Criticism and Performing Arts

• Music Criticism and Visual Arts

• Music Criticism, Mass Culture and the Social Changes

• Music Criticism and Identity

• Music Criticism and Jazz

• Music Criticism and Music for Cinema and TV

• Music Criticism and the Recording Industry

• Music Criticism and the Web

• Music Criticism and Globalization

• Music Criticism and Gender Perspectives

Scholarly Committee:  Jordi Ballester (Universitat Autònoma de Barcelona / Societat Catalana de Musicologia); Teresa Cascudo (Universidad de La Rioja); Germán Gan Quesada (Universitat Autònoma de Barcelona); Roberto Illiano (Centro Studi Opera Omnia Luigi Boccherini); Massimiliano Locanto (Università degli Studi di Salerno); Gemma Pérez Zalduondo (Universidad de Granada); Luca Lévi Sala (New York University, New York, NY); Massimiliano Sala (Centro Studi Opera Omnia Luigi Boccherini) 

Keynote Speakers : David Hurwitz (Brooklyn, New York), • Massimiliano Locanto (Università degli Studi di Salerno)

The official languages of the conference are English, Italian, Spanish and Catalan. Papers selected at the conference will be published in a miscellaneous volume.

For any additional information, please contact:
Dr. Massimiliano Sala
conferences -at- luigiboccherini.org
https://www.luigiboccherini.org/criticism2017.html